शायरी : गाना 🔼

कबि : जोत्सना जरी

.

कभी-कभी हंसी का झटका

कभी-कभी पटाखे भी होते हैं

कुछ मासूम गलती के लिए बेघर हैं

अब वे न भीतर हैं न बाहर…

संदेह अभी जारी है

वाह…   क्या हंसी का झटका है।

.

कंपन को ताल उड़ाने के बाद

यह जोर जैसा लगता है

प्रिय छोटका, आप बनना चाहते हैं…

धुन धुन से भर जाती है

अगर ताल और लय समान गुणवत्ता के हैं

तब यह राग से भर जाएगा

.

अगर लय टूट गई है

राग का रस खो जाएगा

गलती मत करो और

उस व्यर्थ रस को बिखेर दो

फिर अगर गाना बर्बाद हो गया है

क्या हो जाएगा…

दादरा या चटका !!

और अगर गाना खूबसूरत है

मुस्कुराओ और अधिक गाओ …

जितना चाहो नाचो

दादरा या चटका को क्या प्यारा।


.
[ एन बी :

 दादरा ताल :-

यह एक हिंदुस्तानी शास्त्रीय ताल (तालबद्ध चक्र) है, जिसमें तीन के दो बराबर भागों में छह ताल शामिल हैं।  इस ताल के लिए सबसे आम तौर पर स्वीकृत ठेका या बुनियादी पैटर्न है ध धी ना, धा तू ना।  निम्नलिखित दो की तुलना में पहले स्वर पर अधिक जोर दिया गया है, अर्थात, धा – धी ना के बाद अधिक जोर और फिर धा के बाद तू ना पर अधिक जोर दिया गया है।

 भवैया :-

भवैया एक संगीत रूप या एक लोकप्रिय लोक संगीत है जो उत्तरी बंगाल, विशेष रूप से बांग्लादेश के रंगपुर डिवीजन, भारत के पश्चिम बंगाल के कूच बिहार जिले और भारत के असम के अविभाजित गोलपारा जिले में उत्पन्न हुआ है।  इसमें “मजदूर वर्ग” के आवर्ती विषय हैं,
महावत, महिपाल (भैंस चराने वाले), और गरियाल (गाड़ी चलाने वाले)।  गीत दर्द, लालसा और “गहरी भावना” पर जोर देने वाले लंबे स्वरों के साथ अपनी महिलाओं के अलगाव और अकेलेपन की पीड़ा व्यक्त करते हैं।  माना जाता है कि भवैया की उत्पत्ति 16वीं शताब्दी में बिस्वा सिंहा के तहत हुई थी, और 1950 के दशक से मंच प्रदर्शन में विकसित हुआ है।  भवैया गीतों के बोल गैर-सांप्रदायिक हैं।

छटका : भवैया गीत का एक अंश है छटका।  ]



💚

কবিতা : গান 🔼

কবি : জ্যোৎস্না জরি

.

কখনো হাসির ঝটকা

কখনো ফুটছে পটকা 

বেমালুম ভুলে ঘর ছাড়া কেউ

নয় ঘরকা  নয় ঘাটকা 

কেবল লেগেছে খটকা

কি হাসির ঝটকা ।

.

তালে তালে  তাল দিয়ে

মনে লাগে ধাক্কা

সুরে যদি সুর ময়

হতে চাও ছোটকা

তাল লয় সম মানে

সুরে সুরে আটকা ।

.

তাল যদি কেটে যায়

রস যাবে গড়িয়ে

ভুল করে রস কেউ

দিও নাকো ছড়িয়ে 

গানটাই মাটি হবে

দাদরা বা চটকা

কুছ নেই পরোয়া

হেসে হেসে গেয়ে যাও

যত খুশি নেচে যাও

দাদরা বা চটকা ।


💚

شاعری: گانا

کبی: جوتسنا جری

.

کبھی ہنسی کا جھٹکا۔

کبھی کبھی پٹاخے ہوتے ہیں۔

کچھ معصوم غلطی کے لیے بے گھر ہیں۔

اب نہ اندر ہیں نہ باہر…

شک ابھی جاری ہے

واا… کیا ہنسی کا جھٹکا ہے۔

.

کمپن کو تال اڑانے کے بعد

یہ زور کی طرح محسوس ہوتا ہے۔

پیارے چوٹکا، آپ بننا چاہتے ہیں…

دھن دھن سے بھری ہوئی ہے۔

اگر تھاپ اور تال برابر معیار کے ہوں۔

پھر یہ راگ سے بھر جائے گا۔

.

اگر تال ٹوٹ گیا ہے۔

راگ کا رس ختم ہو جائے گا۔

غلطی نہ کریں اور

ضائع ہونے والے رس کو پھینک دو

پھر اگر گانا برباد ہو جائے۔

کیا ہو گا…

دادر یا چٹکا تک!!

اور اگر گانا خوبصورت ہے۔

مسکرائیں اور مزید گائیں…

جتنا آپ چاہتے ہیں رقص کریں

دادرا یا چٹکا کتنا پیارا ہے۔

.
[این بی:

🔺 دادرہ تلہ :-

یہ ایک ہندوستانی کلاسیکی تالا (تال کا چکر) ہے، جو تین کے دو برابر حصوں میں چھ دھڑکنوں پر مشتمل ہے۔ اس تالہ کے لیے سب سے عام طور پر قبول کیا جانے والا تھیکا یا بنیادی نمونہ دھا دھی نا، دھا تو نا ہے۔ مندرجہ ذیل دو کے مقابلے میں پہلی سوار پر زیادہ زور دیا جاتا ہے، یعنی دھا – دھی نا کے بعد زیادہ زور اور تونا کے بعد دھا پر زیادہ زور دیا جاتا ہے۔

🔺 بھاویہ :-

بھوایا ایک موسیقی کی شکل یا ایک مقبول لوک موسیقی ہے جو شمالی بنگال، خاص طور پر بنگلہ دیش کے رنگپور ڈویژن، مغربی بنگال، بھارت کے ضلع کوچ بہار، اور آسام، بھارت کے غیر منقسم گولپارہ ضلع میں شروع ہوئی۔ اس میں “مزدور طبقے” کے متواتر موضوعات ہیں۔
مہوت، مہیشال (بھینسوں کے چرواہے)، اور گڑیال (گاڑی چلانے والے)۔ گیت اپنی خواتین کی جدائی اور تنہائی کے درد کو ظاہر کرتے ہیں، لمبے لہجے کے ساتھ درد، آرزو اور “گہرے جذبات” کو ظاہر کرتے ہیں۔ عام طور پر خیال کیا جاتا ہے کہ بھاویہ کی ابتدا 16ویں صدی میں بسوا سنگھا کے تحت ہوئی تھی، اور 1950 کی دہائی سے اسٹیج پرفارمنس میں تبدیل ہوئی ہے۔ بھوائیہ گانوں کے بول غیر فرقہ وارانہ ہیں۔

چٹکا: بھاویہ گانے کا ایک حصہ چٹکا ہے۔ ]

💚

True Love 🌹

TRUE LOVE :
This is the story of how I discovered quite simply the truest love of all…

In Jennifer Lopez’s first ever book, True Love, she explores one of her life’s most defining periods—the transformative two-year journey of how, as an artist and a mother, she confronted her greatest challenges, identified her biggest fears, and ultimately emerged a stronger person than she’s ever been. True Love is an honest and revealing personal diary with hard-won lessons and heartfelt recollections and an empowering story of self-reflection, rediscovery, and resilience.

🔺 PREFACE :

IT’S OPENING NIGHT, the first show of my first ever world tour.

This was the first time we’d be doing the full show that we had been planning and working on for more than six months. I am in full costume, backstage with the usual cast of characters. I bend down to give Emme and Max a kiss before my mom walks them off to watch the opening of the show. This was going to be the first time they’d see their mommy perform in front of thousands and thousands of people. The last time I was on stage like this, they were in my belly.

As they walk away, Emme looks back and stops. I’m being buckled into the rig on a twelve-by-twelve-inch platform. The huge, full-feather train of my white skirt pours over the edges and it must seem to her like I’m standing in a cloud. She seems a little nervous, but excited. I’m nervous, but controlling my fear. I’m about to ascend sixty feet into the air. I know it’s crazy, because the crew is watching with faces that say, This is crazy! I give the operator the thumbs-up; he gives me the thumbs-up in return . . . and up I go, disappearing into the rafters until I am perched behind a huge video wall, where nobody can see me.

Emme looks up, watching me rise and rise and rise . . . From my perspective, everybody looks like little ants on the floor. I take a deep breath and think about the past year, all the hard work and the hard lessons that have led to this moment.

If I let myself, I could go weak in the knees. But I don’t. I hold strong as the band plays the dramatic intro while the opening movie plays on the screen. And when the video wall splits open, I’m standing there, a hundred feet above the audience, and the crowd goes wild. The spotlight hits me, and in my best old Hollywood voice I say: “HELLO, LOVERS.”

  • • •

In this book I’m going to take you on the physical and emotional journey of the year I went on the first world tour of my career. The year that changed my life.

When I started planning the tour, I knew it was going to be the anchor for a very personal show. What I didn’t expect was how cathartic it would end up being for me. The process of building the tour and performing it each and every night for audiences around the world helped me get back to who I am—someone who sings, who dances, who expresses herself and connects with people through music.

So many times I wanted to abandon writing this book because I knew it would be a difficult process, delving into the past and reliving some of my darkest moments. Also, I didn’t want to be misread. I didn’t want anything to overshadow the magnificence of this great journey. This book is not a detailed account of any of my relationships, famous or not. This is not a “tell-all,” so I hope that’s not what you’re looking for. But by the end, I think you’ll agree, you’ll have gotten so much more. This book is about a series of patterns that go back as early as my childhood. This book is about my path and what I learned. It’s the story of a transformative journey where I faced some of my greatest challenges, overcame some of my biggest fears, and emerged a stronger person than I’ve ever been. This is the story of how I discovered . . . the truest love of all.

My genuine intention and what I hope to accomplish with this book is that others can draw upon the experiences that changed the course of my life and find encouragement in the mantra that motivated the following pages:

You will live.

You will love.

You will dance again . . .

I wake up in bed alone. The silence in my room reminds me of the emptiness in my heart. I failed at love—again. Except this time, it wasn’t just me. I am haunted by the inescapable thought that I let down my beautiful babies, Max and Emme. I wanted so badly for things to have turned out differently.

As lonely as this bed feels, I can’t bring myself to get out of it.

ROCK BOTTOM

HITTING ROCK BOTTOM

I remember the exact moment when everything changed. I was in the desert outside Los Angeles, getting ready for a photo shoot.

It was a beautiful day in July 2011, and Marc and I had just celebrated our seventh wedding anniversary. Anybody looking from the outside in would have thought my life was going great: I had a husband and two beautiful children, and my career was flying high. I was on American Idol, the number-one show on the planet, and my new single “On the Floor” had gone to number one all over the world. To top it off, People magazine had named me their very first Most Beautiful Woman in the World, a few months earlier. How could life get any better?

What people didn’t know was that life really wasn’t that good. My relationship was falling apart, and I was terrified.

And now here I was out in the desert, getting made up for a L’Oréal shoot. I had done hundreds of these before—you sit in the chair, get your hair and face made up, go out in front of the camera, and do your thing. But this day didn’t feel like any other day.

As I sat there, my mind was racing. My heart was beating out of my chest, and I felt like I couldn’t breathe . . . I became consumed with fear and anxiety. What was happening to me?

My mom, Guadalupe, who lives in New York and happened to be in town that week, came to the desert with me that day, and my dear manager, Benny Medina, was there too. As I found myself in a panic, I leaped from my chair and said, “Benny, something is happening! I feel like I’m going crazy.”

In the end, the truth finds a way to surface, even if you don’t want it to.

Benny, who has been through so much with me over the fifteen years we have worked together and been friends, took my hands.

“Hey, now, what’s happening? What’s going on?” he asked.

My mom rushed to my side, too, a look of concern on her face.

All I could say was, “I don’t know. I don’t feel right. I’m scared. I feel like I’m losing my mind.”

He tried to calm me down, saying, “You’re fine, Jennifer. You’re good. Everything’s okay.” To him I looked completely calm. But I wasn’t. It was one of those moments when you’re so scared you can’t even scream. It feels as if you’re paralyzed.

We as human beings do this thing where we stuff down our feelings until they find a way to manifest themselves. We try to avoid them until there’s no more room and they come bubbling up like a pot of boiling-hot water that overflows. And when it does, it burns, and it’s scary. That’s what was happening to me.

In a blur of fear and panic, I looked at Benny and my mother and blurted out the words: “I don’t think I can be with Marc anymore.” Then I burst into tears.

It was out.

The one thing I feared more than anything in the world. The one thing I had been trying for so long not to face. Deep down, I knew that nothing would ever be the same again.

I collapsed into their arms and began to sob. And like that pot of boiling-hot water, once it overflows, the pressure is released and it begins to cool down. All those crazy thoughts started to melt away because I had finally given voice to the real reason for my fear and panic. I knew what it meant to say those words out loud: It meant the end of my marriage. The end of our family. The end of the dream I had worked so hard to hold together.

And it meant more than that. It meant that once again I was going to be judged. I was going to be ridiculed, chastised, and mocked. I could already see the headlines: “Jennifer Lopez Headed for Divorce . . . Again!” Or, “The Woman Who Has Everything But Can’t Get Love Right!” I was so scared to have another failure, to be scrutinized by the world, and to disappoint everyone . . . again.

But this time wasn’t like any other time. It was worse. This divorce wouldn’t affect just Marc and me. It would affect these two beautiful little souls we had brought into the world. I was devastated at the thought of hurting Max and Emme. I was afraid that I was about to ruin their lives, that someday they would resent me for not being able to keep this marriage together.

As I struggled with the idea of breaking up my family, I had to consider what was best for my kids in the long run, and I agonized over what would serve them best in life. I was pulled in both directions, which is why I had fought so hard against admitting the inevitable. I couldn’t admit that this marriage was over. But in the end, the truth finds a way to surface, even if you don’t want it to. That day in the desert, with my brain going wild trying to deny reality, I had finally hit rock bottom.
HOPE FOR A BETTER DAY

On Christmas day in 2010, seven months before that L’Oréal photo shoot, we had a house full of people. Marc was there, and Emme and Max, and Marc’s other kids, Ryan and Cristian, Arianna and Alex, as well as our parents, siblings, and friends. It was the kind of Christmas gathering I’d always wanted to have: a big, sprawling affair with our family at the center of it.

The house was filled with food and gifts and laughter, and that afternoon, twenty-four of us sat down to a beautiful Christmas dinner. Things between Marc and me weren’t perfect, of course—our marriage was never the kind to glide along peacefully. From the beginning, it was tumultuous, passionate, and explosive, but we also shared many fulfilling and joyful moments. I knew we had problems, but we loved each other and we were trying, and I wanted more than anything to have a family—this family. So I was willing to ignore whatever wasn’t going well, for the greater good of preserving it.

I thought that Christmas was exactly what I wanted. I thought we were finally getting it right, that it was worth putting up with the difficulties because this was what life was about. Every marriage has its challenges, but it was about keeping that marriage together, having that family unit, and making the dream come true—whatever the cost. Part of that concept still holds true for me: Family is most important.

But the very next Christmas, twelve months later, I was waking up alone. The only people in the house were Max, Emme, and my cousin Tiana, who had come to keep me company. My mother and my sisters, Lynda and Leslie, had decided to stay in New York for the holidays, and they had asked me to come out, but I didn’t want to go. I wanted to be in my own home, as empty as it now felt.

I cried a lot that Christmas, though I tried to let the tears flow only when the kids couldn’t see me. There’s nothing like the holidays to make you feel a loss, and I was really feeling it. But then my dad, David, came over for Christmas dinner, and Benny came and brought his mom. So with Emme, Max, and everyone else, we had a pretty full table—even if it wasn’t as full as the one we had the year before.

What I will always remember about that Christmas is not the tears or the loneliness, but the toast that Benny gave.

💚 (www.inspirationblog.co.in )

Drama Poetry : Wave & Polaris 🔼

Poet: Jotsna Jari

 

.

Wave :  I am sitting on the beach on a sunny day.  You have painted picture after picture with sand

You said, the wishes will remain as a moving image inside the heart.  They will run to the horizon in the cry of revelation.  Still you don’t be so speechless.  I promise… I’ll be right back wherever I go.

.
Polaris :  I have come.  Yet you can’t even see me…   you can’t even recognize me. 

.
Wave :  wow…    is it a day-dream or a mistake of my mind !  

.
Polaris :  Why can it be a day-dream ? 

.
Wave :  So why can’t I touch you. 

.
Polaris :  If you want to touch…    you will get it.

.
Wave :  You don’t become so hard…   

be fluid like water. 

.
Polaris :  Don’t ask for too much liquid liquid…    the liquid freezes and becomes ice…    hmmm. 

.
Wave :  No no…   you don’t become ice.  Hold me close to your chest…   please. 

.
Polaris :  May these moments of being with you…   always be cherished forever.

.
Wave :  May this moment…  never be past.

.
Polaris :  What we lose…    nothing is lost…   it remains in the mind forever. 

.
Wave :  I don’t understand all that.  You just stay with me…   all the time.


.

[ N.B :- 

* Lahari is wave.  

* Polaris is North Star. ] 

🌹

Драма Поэзия : Волна и Полярная звезда 🔼

 Поэт: Йотсна Яри


 .

 Волна: Я сижу на пляже в солнечный день.  Вы рисовали картину за картиной песком. 

 Вы сказали, что пожелания останутся движущимся изображением в сердце.  Они побегут к горизонту в крике откровения.  Но ты не будь таким безмолвным.  Я обещаю… Я скоро вернусь, куда бы я ни пошел.

 Полярис: Я пришла.  Но ты даже не видишь меня… ты даже не узнаешь меня.

 Волна : вау…   это сон наяву или ошибка моего разума !

 Polaris: Почему это может быть мечтой наяву?

 Вэйв : Так почему я не могу прикоснуться к тебе?

 Поларис:  Если вы хотите прикоснуться…    вы это получите.

 Вейв : Ты не становись таким твердым…

 быть текучим, как вода.

 Polaris : Не просите слишком много жидкой жидкости… жидкость замерзает и становится льдом… хммм.

 Вейв : Нет-нет… ты не станешь льдом.  Прижми меня к своей груди… пожалуйста.

 Polaris: Пусть эти моменты, проведенные с тобой… всегда будут дорожить вечностью.

 Волна: Пусть этот момент… никогда не будет в прошлом.

 Polaris: То, что мы теряем… ничто не теряется… это остается в памяти навсегда.

 Волна :  Я не понимаю всего этого.  Ты просто оставайся со мной…   все время.



 .

 [Примечание: –

 * Волна — это Лахари.

 * Полярная звезда — это Полярная звезда.  ]



❤️

नाटक काव्य : वेव एंड पोलारिस 🔼

कवि :  जोत्सना जरी 

 .

 लहरी :  मैं धूप वाले दिन समुद्र तट पर बैठा हूं।  आपने रेत के साथ चित्र के बाद चित्र चित्रित किए हैं

 आपने कहा, दिल के अंदर चलती-फिरती छवि बनी रहेगी ख़्वाहिशें।  वे रहस्योद्घाटन की पुकार में क्षितिज तक दौड़ेंगे।  फिर भी आप इतने अवाक नहीं होते।  मैं वादा करता हूँ… मैं जहाँ भी जाऊँगा, मैं तुरंत वापस आऊँगा।

 पोलारिस :  मैं आ गया हूं।  फिर भी तुम मुझे देख भी नहीं सकते… तुम मुझे पहचान भी नहीं सकते।

 लहरी :  वाह…   दिवास्वप्न है या मेरे मन की भूल !

 पोलारिस :  यह दिवास्वप्न क्यों हो सकता है ?

 लहरी :  तो मैं तुम्हें छू क्यों नहीं सकता।

 पोलारिस :  यदि आप स्पर्श करना चाहते हैं…   तो आपको यह मिल जाएगा।

 लहरी :  तुम इतने कठोर मत बनो…  पानी की तरह तरल बनो।

 पोलारिस :  बहुत अधिक तरल तरल के लिए मत पूछो…   तरल जम जाता है और बर्फ बन जाता है…   हम्म।

 लहरी :  नहीं नहीं…   तू बर्फ नहीं बन जाता।  मुझे अपने सीने से लगा लो… कृपया।

 पोलारिस  आपके साथ रहने के ये पल…   हमेशा हमेशा के लिए संजोए जाएं।

 लहरी :  काश यह पल…  कभी बीता न हो।

 पोलारिस  हम जो खो देते हैं…    कुछ भी नहीं खोता…   वह हमेशा के लिए दिमाग में रहता है।

 लहरी  मुझे वह सब समझ नहीं आता।  तुम बस मेरे साथ रहो…  हर समय।

.

 [ एन बी :-

* लहरी तरंग है। 

* पोलारिस उत्तर सितारा है।  ]

❤️

নাট্য কাব্য :  লহরী ও ধ্রুবতারা 🔼

কবি : জ্যোৎস্না জরি 

.

লহরী :  রৌদ্র স্নাত দিনে বসে আছি সমুদ্র তটে ।  বালি দিয়ে ছবির পর ছবি এঁকে গেছ

তুমি । বলেছিলে, ইচ্ছেগুলো চলমান ছবি হয়ে থেকে যাবে বুকের ভিতর । প্রকাশের আর্তনাদে দিক দিগন্তে ছুটে যাবে । তুমি তখনো এমন নির্বাক হয়ে থেকো না । কথা দিচ্ছি…   আমি যেখানে যাই ফিরে ফিরে আসব ।

ধ্রুবতারা :  এসেছি তো । তুমি দেখেও দেখতে পাচ্ছো না…   চিনেও চিনতে পাচ্ছো না ।

লহরী :  দিবা স্বপ্ন না কি মনের ভুল ।

ধ্রুবতারা :  ধুস তা হতে যাবে কেন ?

লহরী :  তবে তোমাকে ছুঁতে পারছি না যে !

ধ্রুবতারা :  ছোঁয়ার মতো ইচ্ছে করো…    ঠিক পেয়ে যাবে ।

লহরী :  এত কঠিন হয়ো না । জলের মতো তরল হও ।

ধ্রুবতারা :  বেশি তরল তরল বলো না । তরল জমে বরফ হয়ে যায় ।

লহরী :  না গো না…    বরফ হয়ে যেও না । তোমার বুকে আগলে আমাকে রেখো ।

ধ্রুবতারা :  তোমার সাথে কাটানো এই মুহূর্তগুলি মূর্ত থাকুক সারাক্ষণ ।

লহরী :  কখনো যেন অতীত হয়ে না যায় ।

ধ্রুবতারা :  আমরা যা হারাই তা হারায় না কিছুই । মনের মধ্যে থেকে যায় ।

লহরী :  সে সব বুঝি না আমি । তুমি শুধু থাকো…     আমার কাছে…   সব সময় ।

💚

ڈرامہ شاعری: لہر اور پولارس

شاعرہ: جوتسنا جری

.

لہر: میں دھوپ والے دن ساحل پر بیٹھا ہوں۔ آپ نے ریت کے ساتھ تصویر کے بعد تصویر پینٹ کی ہے۔

تم نے کہا، خواہشیں دل کے اندر چلتی تصویر بنی رہیں گی۔ وہ وحی کی پکار میں افق کی طرف بھاگیں گے۔ پھر بھی تم اتنی بے آواز نہ ہو۔ میں وعدہ کرتا ہوں… میں جہاں بھی جاؤں گا میں واپس آؤں گا۔

.
پولارس: میں آ گیا ہوں۔ پھر بھی تم مجھے دیکھ بھی نہیں سکتے… مجھے پہچان بھی نہیں سکتے۔

.
لہر: واہ… کیا یہ ایک دن کا خواب ہے یا میرے دماغ کی غلطی!

.
پولارس : یہ ایک دن کا خواب کیوں ہو سکتا ہے؟

.
لہر: تو میں آپ کو کیوں نہیں چھو سکتا۔

.
پولارس: اگر آپ چھونا چاہتے ہیں… آپ کو مل جائے گا۔

.
لہر: تم اتنے سخت نہ ہو جاؤ…

پانی کی طرح سیال ہو.

.
پولارس: بہت زیادہ مائع مائع نہ مانگیں… مائع جم جاتا ہے اور برف بن جاتا ہے… ہممم۔

.
لہر: نہیں نہیں… آپ برف نہیں بن جاتے۔ مجھے اپنے سینے سے لگا لو… براہ کرم۔

.
پولارس: آپ کے ساتھ رہنے کے یہ لمحات ہمیشہ ہمیشہ کے لیے قابل احترام رہیں۔

.
لہر: یہ لمحہ… کبھی ماضی نہ ہو۔

.
پولارس: جو ہم کھوتے ہیں… کچھ بھی نہیں کھویا جاتا ہے… یہ ہمیشہ ذہن میں رہتا ہے۔

.
لہر: مجھے یہ سب سمجھ نہیں آتا۔ تم ہر وقت میرے ساتھ رہو…

.

[ N.B :-

*لہری لہر ہے۔

  • پولارس نارتھ اسٹار ہے۔ ] 💙

Poetry : Searching 🔼


Poet :  jotsna jari

.
Where are you
I search you
every moment
every corner.

.
Hey listen
he is my own colour
did you see him ?

.
Once upon a time
he was my own colour
today lost seven colour ocean.

.
Make sure                                         
he changes and changes… 
becomes light and lighten
but I search him
did you searching him ?

.
[  N. B :-

  Seven colours of Aura :

Aura , the existence of auras as the energy around every creature of this world. So we must aware of aura & respect from heart. The aura is a field of subtle , luminous radiation surrounding a person that changes in color, sizes & shape  relation to our mood. When the aura is great  then human is stronger or more powerful.  It is said that children can see auras easily. The child can unknowingly add the aura colors to his drawings. The colors of aura can be realized only by fews. Obviously few people can also feel vibes coming from auras.   

Indian religions such as Hinduism and Buddhism have discovered auras since time was immemorial, connecting them to chakras and kundalini. 

In Latin and Ancient Greek, aura means wind, breeze or breath. 
Charles Webster Leadbeater was the first person to address auras in that context. He was a priest in the Church of England.

In his book Man Visible and Invisible published in 1902, he illustrated a man’s aura in various stages. In 1910, Leadbeater introduced the modern conception of auras by incorporating the Tantric notion of Chakras in his book The Inner Life.

In 1977, American esotericist Christopher Hills published the book Nuclear Evolution: The Rainbow Body, which presented a modified version of Leadbeater’s occult anatomy. 

The book The Third Eye, written by Cyril Henry Hoskin under the pseudonym Lobsang Rampa, claims that Tibetan monks opened the spiritual third eye using trepanation in order to accelerate the development of clairvoyance and allow them to see the aura. It also includes body gazing techniques purported to help achieve aura visualization.The book is by some considered to be a hoax.

Auras has seven colors. Each color is believed to have alternate importance :-

 Red – fearless and passionate

 Pink – Deeply sensitive and gentle in nature

 Orange – creative and full of emotion 

Yellow – Confident and happy with high self-esteem

 Green – Natural born self-healers who are drawn to nature and animals

 Blue – Caring, nurturing, and protective

 White – Spiritually motivated, positive, and uplifting   ] 

💚