Поэзия  :  Автомобиль мечты ⬆️

Поэзия  :  Автомобиль мечты

Поэт: йотсна яри

.

Ты сказал, что если у меня болит грудь,

ты принесешь мне

Весь день

отдых и фонтан мечты.

.

Ты сказал, что когда луна гаснет,

ты будешь луной в постели

С головой на звездной подушке

тогда ты споешь несколько мелодий…  .

.

Вы сказали, что бутоны роз

рассыплется лаской по губам

во сне и при пробуждении…

.

Сколько весны

пришел и ушел

я не проснулся

в твоем прикосновении.

.

Так погасла луна

потому что ты не сдержал своего обещания

Весенний ветер

до сих пор останавливается…

.

Но машина мечты не останавливается

Счастье жить

летит….   .

💚

कविता  :  ड्रीम कार ⬆️

कवि  :  ज्योत्सना जरी

.

तुमने कहा था कि अगर मेरी छाती में दर्द होता है,

तुम मुझे ले आओगे

एक पूरा दिन

आराम और सपनों का फव्वारा।

.

तुमने कहा था कि जब चाँद निकलता है,

तुम बिस्तर में चाँद हो जाओगे

अपने सिर के साथ स्टार तकिया पर

फिर कोई धुन गाओगे… .

.

तुमने कहा था कि गुलाब की कलियाँ

होठों पर दुलार फैलाएगा

सोने और जागने में…

.

कितना वसंत

आया और चला गया

मैं नहीं उठा

आपके स्पर्श में।

.

तो चाँद निकल गया

क्योंकि आपने अपना वादा नहीं निभाया

बसंती पवन

अभी भी रुका हुआ है…

.

फिर भी सपनों की कार नहीं रुकती

जीने का सुख

मक्खियाँ…. .

💚

কবিতা  :  স্বপ্ন উড়ান ⬆️


কবি  :  জ্যোৎস্না জরি

.
বলেছিলে  আমার বুকে ব্যথা হলে
তুমি এনে দেবে 
আস্ত একটা দিন
অবসর আর স্বপ্নের ঝোরা ।

.
বলেছিলে  চাঁদ নিভে গেলে
তুমি চাঁদ হবে বিছানায়
তারার বালিশে মাথা দিয়ে
কিছু সুর ছড়াবে তখন…  ।

.
বলেছিলে  ঘুমে আর জাগরণে
গোলাব কুঁড়ি  ঠোঁটে
ছড়াবে আদর…  

.
কত বসন্ত এলো
আর গেল
তোমার ছোঁয়ায়
ভাঙল না ঘুম ।

.
তাহলে কি
তুমি কথা রাখলে না বলে
চাঁদ নিভে গেল
বসন্ত বাতাস
থেমে আছে আজো… 

.
স্বপ্ন উড়ান  থামে না তবু
বেঁচে থাকা সুখ
উড়ে আসে ।

💚

شاعری : ڈریم کار

شاعر: جوتسنا جری

.

تم نے کہا تھا کہ اگر میرے سینے میں درد ہو

تم مجھے لے آؤ گے

ایک مکمل دن

فرصت اور خواب کا چشمہ۔

.

آپ نے فرمایا کہ جب چاند نکلتا ہے۔

تم بستر پر چاند ہو گے

ستارے کے تکیے پر سر رکھ کر

پھر آپ کچھ دھنیں گائیں گے…

.

آپ نے فرمایا کہ گلاب کی کلیاں

ہونٹوں پر دلکشی پھیلائے گی۔

نیند اور جاگنے میں…

.

کتنی بہار ہے۔

آیا اور چلا گیا

میں نہیں اٹھا

آپ کے رابطے میں.

.

تو چاند نکل گیا۔

کیونکہ تم نے اپنا وعدہ پورا نہیں کیا۔

موسم بہار کی ہوا ۔

ابھی تک رکا ہوا ہے…

.

پھر بھی خوابوں کی گاڑی نہیں رکتی

جینے کی خوشی

مکھی…..

💚

Game Theory : John C. Harsanyi ⬆️

writer : jotsna jari

❤️ John Charles Harsanyi ❤️

( May 29, 1920 – August 9, 2000)

He was a Hungarian Nobel Prize laureate economist. He moved to the United States in 1956, and spent most of his life there.

💚 Game Theory :

     ” In its first 30 years of existence, up to the mid 1970s, the practical applications of game theory were very limited, probably as a result of excessive preoccupation by game theorists with cooperative solution concepts.

       In 1958, Anne and I returned to Australia, where I got a very attractive research position at the Australian National University in Canberra. But soon I felt very isolated because at that time game theory was virtually unknown in Australia.

After preliminary work by a number of other distinguished mathematicians and economists, game theory as a systematic theory started with von Neumann and Morgenstern’s book, ‘Theory of Games and Economic Behavior,’ published in 1944.

       One might argue that proper understanding of any social situation would require game-theoretic analysis.”

Dr. J. C. Harsanyi was longtime professor at the University of California, Berkeley’s Haas School of Business and its Department of Economics.

      He is best known for his contributions to the study of game theory and its application to economics, specifically for his developing the highly innovative analysis of games of incomplete information, so-called Bayesiangames.

He also made important contributions to the use of game theory and economic reasoning in political and moral philosophy (specifically utilitarian ethics) as well as contributing to the study of equilibrium selection.

      Harsanyi was awarded the Nobel 

Prize for his work in game theory, a mathematical theory of human behavior in competitive situations that has become a dominant tool for analyzing real-life conflicts in business, management and international relations.

      A Nobel Prize gives its recipient brief public attention, and a permanent shimmer of fame. In this case the limelight was also brought to bear on game theory itself. Interest increased as game theorists became involved in the design of the auctions of radio frequency spectrum for the mobile telecommunications business. These raised billions of dollars in the United States and just recently tens of billions of pounds in Britain and Germany. With so much money at stake, it is likely that participants had started to use the sophisticated analysis suggested by game theory.

      The strategic analysis of auctions relies heavily on Harsanyi’s most important work, on games with incomplete information, developed in the late 1960s. The “game” played in an auction is defined by more than just the auction’s rules. The players’ information plays a crucial role, since it determines the price they are willing to pay, and to some extent that is only known to themselves. Not only is this information relevant to a player, but also what the others know about that knowledge. (When you intend to buy a house, for example, you might prefer to conceal some of your enthusiasm from the seller.)

      The game can only be analysed, however, reaching a conclusive recommendation for everyone, when all the information about it is fully known, including the uncertain parts about the players’ “types”, defined by their private information. Harsanyi resolved the intellectual muddle by adding an explicit “history” to a game that generates this uncertainty. With this modelling device, the game can be analysed consistently by classic game theory.

      Harsanyi’s invention is now a standard tool of “information economics”. It broadened the use of game theory because, in real life, most people lack full knowledge about their opponents.

      Harsanyi’s concepts and terminology are used so much that people tend to forget the struggle that led to them. In part, his great ideas were simple and clarifying, so that it is hard to identify why the problem was vexing in the first place.

Publications :- 

  • Harsanyi, John C. (October 1953). “Cardinal utility in welfare economics and in the theory of risk-taking”. Journal of Political Economy.
  • Harsanyi, John C. (August 1955). “Cardinal welfare, individualistic ethics, and interpersonal comparisons of utility”. Journal of Political Economy. 
  • Harsanyi, John C. (March 1962). Bargaining in ignorance of the opponent utility function(PDF). Journal of Conflict Resolution.
  • Harsanyi, John C. (November 1967). “Games with incomplete information played by “Bayesian” players, I-III. part I. The Basic Model”. Management Science. 14 (3): 159–182. 
  • Harsanyi, John C. (1976). Essays on Ethics, social behaviour and scientific explanation. Dordrecht, Holland Boston: D. Reidel Pub. 
  • Harsanyi, John C. (1977). Rational behavior & bargaining, equilibrium in games and social situations. Cambridge England New York: Cambridge University Press. 
  • Harsanyi, John C. (Winter 1977). “Morality and the theory of rational behavior”. Social Research. 44 (4): 623–656. 

Reprinted as: Harsanyi, John C. (1982), “Morality and the theory of rational behaviour”, in SenAmartya,Williams,Bernard(eds.), Utilitarianism and beyond, Cambridge: Cambridge University Press, pp. 39–62.

  • Harsanyi, John C. (1982). Papers in game theory. Dordrecht, Holland Boston U.S.A. Hingham, Massachusetts: D. Reidel Pub. Co. 
  • Harsanyi, John C.; Selten,  Reinhard (1988). A general theory of equilibrium selection in games. Cambridge, Massachusetts: MIT Press. 

💢

“In principle, every social situation involves strategic interaction among the participants.” – J. C. Harsanyi.

💚

Museum : Early History ⬆️

Art museum in Saint Petersburg, Russia

writer : jotsna jari

💚 Early museums began as the private collections of wealthy individuals, families or institutions of art and rare or curious natural objects and artifacts. These were often displayed in so-called “wonder rooms” or cabinets of curiosities. These contemporary museums first emerged in western Europe, then spread into other parts of the world.

The first “public” museums were often accessible only by the middle and upper classes. It could be difficult to gain entrance. When the British Museum opened to the public in 1759, it was a concern that large crowds could damage the artifacts. Prospective visitors to the British Museum had to apply in writing for admission, and small groups were allowed into the galleries each day. The British Museum became increasingly popular during the 19th century, amongst all age groups and social classes who visited the British Museum, especially on public holidays.

       The Ashmolean Museum however, founded in 1677 from the personal collection of Elias Ashmole, was set up in the University of Oxford to be open to the public and is considered by some to be the first modern public museum.                      

       The museum opened on 24 May 1683, with Robert Plotas the first keeper. The first building, which became known as the Old Ashmolean, is sometimes attributed to Thomas Wood.

       In France, the first public museum was the Louvre Museum in Paris, opened in 1793 during the French Revolution, which enabled for the first time free access to the former French royal collections for people of all stations and status.

Louvre Museum, 1853

Indian Museum, Kolkata established in 1814, is the oldest & the largest Museum in Asia. It has a collection of 1,002,646 artifacts (as on 31 March, 2004).

Indian Museum, Kolkata 

Chinese and Japanese visitors to Europe were fascinated by the museums they saw there.

Japan first encountered Western museum institutions when it participated in Europe’s World’s Fairs in the 1860s. The British Museum was described by one of their delegates as a ‘hakubutsukan’, a ‘house of extensive things’ – this would eventually become accepted as the equivalent word for ‘museum’ in Japan and China.

November 23 (December 12), 1831 in St. Petersburg opened Russia’s first private public museum – the Rumyantsev Museum.                                    Currently, the building of the Rumyantsev Mansion in St. Petersburg houses a branch of the State Museum of History of St. Petersburg – one of the largest historical museums in Russia. 

❤️

Poetry :  Wanders Around ⬆️

Poet  :  Jotsna Jari 

 .

 Do you say

 blue color mixed with pain

 Why it calls 

 to the water of distant ocean.

 .

 The mind is wet 

 with salt water.

 .

 Rows of ducks in fresh water

 soothing to the eyes 

 A pain like the termite

 destroys…   

 the bliss of soft chest. 

 .

 I run…    

 here where

 there alone.

 .

 This is the whole life… 

 give and sacrifice more 

 You get nothing.

 .

 The blue color pain

 is swirling

 in the salt water 

 Why does the mind cry 

 and walks alone 

 with the sunrise

💜

Поэзия  : Блуждает вокруг ⬆️

 Поэт: Йотсна Яри

 .

 можешь сказать

 синий цвет, смешанный с болью и

 почему он звонит

 к водам далекого океана.

 .

 Разум влажный

 с соленой водой.

 .

 Ряды уток в пресной воде

 успокаивающий для глаз

 Боль, как термит

 уничтожает…

 блаженство мягкой груди.

 .

 Я бегу…

 здесь, где

 там одиноко.

 .

 Это вся жизнь…

 давать и жертвовать больше

 то вы ничего не получите.

 .

 Синий цвет боли

 кружится

 в соленой воде

 Почему ум плачет

 и ходит один

 с восходом солнца

💛

कविता  :  इधर उधर फिरती है 🔼

 कवयित्री :  जोत्सना जरी

 .

 क्या आप कह सकते है

 नीला रंग मिला हुआ दर्द और

 यह क्यों कॉल करता है

 दूर सागर के पानी के लिए।

 .

 मन गीला है

 नमक के पानी के साथ।

 .

 ताजे पानी में बत्तखों की कतारें

 आँखों के लिए सुखदायक

 दीमक जैसा दर्द

 नष्ट कर देता है …

 कोमल छाती का आनंद।

 .

 मैं दौड़ता हूँ…

 यहाँ कहाँ

 वहाँ अकेला।

 .

 यह पूरी जिंदगी…

 अधिक दें और बलिदान करें

 तब आपको कुछ नहीं मिलता।

 .

 नीले रंग का दर्द

 घूम रहा है

 खारे पानी में

 मन क्यों रोता है

 और अकेला चलता है

 सूर्योदय के साथ ।

💜

কবিতা  : ঘুরপাক ⬆️

কবি  :  জ্যোৎস্না জরি

.

বলতে পারো

বেদনার সাথে 

নীল রঙ মিশে

কেন ডেকে নেয়

দূর সাগরের জলে ।

.

নোনা জলে

ভিজে গেছে মন ।

.

মিঠে জলে হাঁসেদের সারি

চোখ ভরে থাকে

উইপোকা ব্যথা

কুরে কুরে খায়

নরম বুকের সুখ ।

.

এখানে ওখানে

যেখানে সেখানে

ছুটে যাই একা ।

.

এই হলো আস্ত জীবন

দাও আর দাও

তোমার পাবার কিছু তো নেই… 

.

নীল রঙ ব্যথা

নোনা জলে

ঘুরপাক খায়

কেন মন কাঁদে

একা আর একা

হেঁটে যায় 

সূর্যোদয়ের সাথে ।

💜